Abstract
This paper examines the role of political ideology in shaping cultural participation across five European countries. While previous studies have emphasized demographics and identity-related motivations, we argue that ideology also structures museum attendance and engagement with socio-political art. Drawing on a cross-national online survey (N = 4000) in Germany, France, Spain, the United Kingdom, and Italy, we address whether ideology predicts museum attendance, influences interest in socio-political art, shapes the likelihood of art fostering reflection, and intersects with demographics to produce distinct audience clusters. Using survey-weighted logistic regressions and clustering analysis, findings show that ideology modestly predicts attendance and reflection but more strongly conditions interest in socio-political art, especially among left-leaning publics. These dynamics have implications for cultural policy and institutional practice: recognizing ideology as a factor in participation can help museums design more inclusive programming and audience development strategies.
| Original language | English |
|---|---|
| Number of pages | 19 |
| Journal | Cultural Trends |
| DOIs | |
| Publication status | E-pub ahead of print - 2026 |
Keywords
- Audience Segmentation
- Cultural Participation
- Museum Audiences
- Political Ideology
- Socio-Political Art
Fingerprint
Dive into the research topics of 'Political ideology and museum audiences in Europe: implications for inclusive practice'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver