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Political ideology and museum audiences in Europe: implications for inclusive practice

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Abstract

This paper examines the role of political ideology in shaping cultural participation across five European countries. While previous studies have emphasized demographics and identity-related motivations, we argue that ideology also structures museum attendance and engagement with socio-political art. Drawing on a cross-national online survey (N = 4000) in Germany, France, Spain, the United Kingdom, and Italy, we address whether ideology predicts museum attendance, influences interest in socio-political art, shapes the likelihood of art fostering reflection, and intersects with demographics to produce distinct audience clusters. Using survey-weighted logistic regressions and clustering analysis, findings show that ideology modestly predicts attendance and reflection but more strongly conditions interest in socio-political art, especially among left-leaning publics. These dynamics have implications for cultural policy and institutional practice: recognizing ideology as a factor in participation can help museums design more inclusive programming and audience development strategies.

Original languageEnglish
Number of pages19
JournalCultural Trends
DOIs
Publication statusE-pub ahead of print - 2026

Keywords

  • Audience Segmentation
  • Cultural Participation
  • Museum Audiences
  • Political Ideology
  • Socio-Political Art

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