Historias locales, música global. marcas sonoras en los últimos géneros del cine español

Translated title of the contribution: Local stories, global music. Sound trade marks in the lastest genres of Spanish cinema

Jaume Radigales*, Teresa Fraile Prieto

*Corresponding author for this work

Research output: Indexed journal article Articlepeer-review

1 Citation (Scopus)

Abstract

This article deals with the use of music in certain specific cinematic genres in the Spanish context. It focuses specifically on two typologies which are very characteristic of the last decade. First, it is possible to trace the existence of a number of comedies which offer second readings of the musical clichés of the adventure genre in order to use them as elements of parody. As a paradigm of this genre, the composer Roque Baños writes in Hollywood symphonic style for the least "cool" productions of Spanish cinema. In contrast, but complementing this, the theme song constitutes a musical trade mark for the latest expressions of the realist genre. These examples show that to the sound trade marks for each genre, standardized musical conventions, we need to add the peculiarities of each country. This gives rise to meanings that arise from the sum of genre clichés and local characteristics.

Translated title of the contributionLocal stories, global music. Sound trade marks in the lastest genres of Spanish cinema
Original languageSpanish
Pages (from-to)253-267
Number of pages15
JournalCommunication and Society
Volume24
Issue number2
Publication statusPublished - 2011

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