TY - JOUR
T1 - Ópera, texto y audiovisualización. Estudio de un caso: El anillo del Nibelungo
AU - Radigales Babí, Jaume
AU - Bermúdez Cubas, Yaiza
PY - 2017/1/1
Y1 - 2017/1/1
N2 - Opera is a global performance, a Gesamtkunstwerk (total work of art) according to the theories of Richard Wagner. This interaction of converging elements (music, text, singing, staging) culminates with the incorporation of the screen as part of staging since the late twentieth century. In this paper we look at the process 'audiovisualisation' of the opera as performance with a case study: the production of Richard Wagner's The Ring of the Nibelung by Carlus Padrissa and premiered at the Palau de les Arts in Valencia (2007). In it, the interaction of the screen was essential to understanding the Wagnerian musical drama
AB - Opera is a global performance, a Gesamtkunstwerk (total work of art) according to the theories of Richard Wagner. This interaction of converging elements (music, text, singing, staging) culminates with the incorporation of the screen as part of staging since the late twentieth century. In this paper we look at the process 'audiovisualisation' of the opera as performance with a case study: the production of Richard Wagner's The Ring of the Nibelung by Carlus Padrissa and premiered at the Palau de les Arts in Valencia (2007). In it, the interaction of the screen was essential to understanding the Wagnerian musical drama
UR - https://papiro.unizar.es/ojs/index.php/tropelias/article/view/1545
UR - http://hdl.handle.net/20.500.14342/495
M3 - Artículo
SN - 1132-2373
SP - 136
EP - 147
JO - Tropelías
JF - Tropelías
IS - 27
ER -